Inspirational Ironbridge

The trainees had a lovely day in Ironbridge. We visited a couple of the museums to see how they run and what exhibits they have on display. But this was also a chance to meet professionals to discuss their careers and our own aspirations, with an emphasis on engagement.


The trainees have fun in Ironbridge

Tamsin Bapty (nee Rowe) was in the first tranche of Worcester’s Skills for the Future Trainees and is now the Curatorial Officer for Collections Development working in the Museum’s Library & Archives where she keeps busy meeting celebrities. Tamsin met us for a coffee and a chat about life after a traineeship. Going out into the real world and getting a job is something we are all thinking about now our assignments are complete. Tamsin is clearly enjoying her new role and is doing well, so it was lovely to get a positive perspective on our prospects. She kindly gave us a tour of the blast furnace which is one of the reasons the Ironbridge Gorge is a UNESCO World Heritage site.

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Tea is essential to all museum-based discussions

Then importantly for our learning experience we all had a go at candle-making,while Hugh Simmons talked to us about education at Blists Hill. We discussed some of the ideas that have worked, how he comes up with ideas, and how these are adapted for summer holiday activities. This includes candle making, soap making and typesetting and printing workshops.

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Motivating staff

And last but not least we met Laura Simcox, who is a recent graduate from another cultural apprentice scheme. Laura is the Special Events and Corporate Hospitality Assistant at Ironbridge Gorge Museum Trust, and runs events at Blists Hill. Meanwhile she is also working in her own time on a masters course and kindly talked us through her role at Blists Hill as well as discussing her course at Leicester.

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Educational workshop on candle making

It was a great day and we all came away feeling inspired for our future careers and ready to start filling in lots of job applications.

Sarah Ganderton


ARA core training: managing volunteers

Volunteers play an integral role in the heritage sector. Their time and effort goes a long way towards completing projects and making collections more accessible to the public. To learn a little more about the appropriate use of volunteers, Sarah and I travelled to Leicester’s New Walk Museum to attend a training session. The day was organised by the East Midlands branch of the Archives and Records Association (ARA) and included delegates from universities and record offices across the country. Coming from a small department, I was intrigued to learn how to gain and keep new enthusiastic volunteers.

New Walk

Caroline Williams, the president of the ARA, began the day with a talk on the varying types of volunteers.  The two main categories are those who are looking for social enjoyment and those who are aiming to improve future employability. The second category includes pre-course experience for future archivists as well as volunteers who want to gain new skills to enhance their CV. This was a similar path to the one I undertook before beginning this traineeship. It was these differences which Williams argued needed to be considered to manage volunteers effectively. To fully support those who are giving their free time to help, it is essential to understand their needs. They are there to help and by understanding their expectations they are more likely to work effectively and happily within your team.

The day continued with case studies from organisations with varying numbers of volunteers.  The nature of volunteering is changing to reflect the wider scope of the archive sector. Volunteers can now experience digitisation and outreach roles as well as the listing of records which has previously been completed.  Episodic project based volunteering is on the rise as many time-restricted projects require extra assistance to be completed within a set time frame. This change in focus for archive volunteers encouraged a discussion on what the future holds for volunteering.


The delegates felt that in the future there will be a greater focus on remote volunteering. This would include allowing access to documents online so that they can be transcribed and listed without physical access to the collection. They also thought that volunteering would act as a social scheme to allow people to re-enter the workforce. Volunteers will be able to enhance their IT and administrative skills whilst working within a team. This method is already being trialled in Wigan Archives and shows how the organisation can give back to those who are willing to help.

These were the top five tips given to help understand volunteers:

  1. Don’t blur the lines between a professional role and a volunteer, they are not a paid member of staff
  2. Create a clear and concise volunteer policy
  3. Keep the initial paperwork to a minimum, they are not applying for a job
  4. Be present, offer support and remain patient
  5. Provide tea and cake to maintain happy volunteers!

To read more about volunteering in archives, please read Caroline Williams’ report here.

Danielle Joyce


Last week I attended my first gathering for members of the Group for Literary Archives and Manuscripts (GLAM). The University of Worcester Research Collections has recently become a member of this group and I was glad to attend as a representative of my workplace. The meeting was held at the British Library in the Conservation Studios and was made up of 35 archivists, librarians, curators, writers and researchers. GLAM was established in 2005 and was initiated by The John Rylands University Library, at The University of Manchester. GLAM is an independent organisation which supports the collecting, preservation, use and promotion of literary archives and manuscripts in Britain and Ireland.

British Library

British Library

The focus of the day was on negotiations within acquisitions of archives and the issues that may arise as a result of these discussions. I gained a lot from this meeting as I was able to talk with and listen to institutes who purchase collections rather than relying solely on donations from generous depositors. Although this was not directly relevant to my current workplace it was useful to understand the methods which other repositories undertook in order to secure their collections. The advice that was provided widened my knowledge of the archive sector and helped to situate our current position at the Research Collections.

The next topic of discussion was on the benefits and issues of using living or recently deceased creators. Having a creator and/or depositor who is still alive can greatly enhance the understanding and context of the material being housed. They can be interviewed and their statements can be recorded within the archive and they may even be available for future questioning if any uncertainty arises. On top of this, a living depositor can also answer questions relating to access and allow certain permissions of access to their own work. However, an issue that may arise is one of sensitivity. Their collection is their work and so it is difficult to place a value (whether research potential or financial) on their material without causing any undue offence. It is important to remain empathetic when dealing with depositors as many will see the removal of their work as a cathartic process; this is particularly true in cases where the creator has recently passed away.

The next meeting of GLAM is in October and will be a 10 year celebration of the group. I am hoping to attend as it was great to discuss how different bodies manage their collections and it was nice to see the level of support amongst members.

Danielle Joyce

Efficient Minute Taking

The University of Worcester provides great staff development opportunities for its employees; including mindfulness, time management and software skills, to name just a few. I thought I would make use of this opportunity during my time at the Research Collections and was recommended to attend a course on Minute Taking and Servicing Meetings. Initially I was apprehensive as I thought that spending a day learning how to take effective notes was a little excessive. However, I was wrong and I actually learned quite a lot from this session which will benefit both my traineeship and hopefully my future career.OTTtitle

The programme was provided by the enthusiastic Jill Bowman from On Target Training who took us through the full protocol of how to service a meeting alongside the Chairperson. In previous experience, I have frantically written notes verbatim until my hand hurt and my energy had gone. This was because I was unaware of the level of detail required and wanted to make sure I did not miss anything important. This is a very ineffective and inefficient method of writing minutes as you recite information which does not need to be recorded and lose focus of the main points of discussion. Jill suggested that minutes needed to contain the following components:

  • Background – why was this item brought to the agenda?
  • Discussion – what are the views surrounding it?
  • Decision – what conclusions have been made?
  • Action – what has to be done? By who? And when?

The decision and action points could be interchangeable but one of them is required for each agenda item. This is all you need to ensure that your minutes are informative and relevant whist capturing areas for concern and objectives for the future. Focus on what the key issues are and make sure these are fully represented in your minutes. The best minutes come from a good rapport with the Chair as they can summarise and go over points to ensure that everyone understands and that you have recorded the discussion correctly.

The day increased my confidence in minute taking and pushed me to try new techniques to enhance my efficiency both in and after meetings. I am very grateful for the opportunity and would recommend the course to anyone who, like me, felt they did not need specific training on the subject.

I will leave you with some top tips from Jill:

  • If you are new to minute taking, do your research on the attendees and try to understand the topic of the meeting.
  • Sit by the Chair – you can quickly ask questions and clarify any notes with little disturbance to the meeting.
  • Once the meeting is finished find a quiet place to immediately read over your notes – clarify your words and make sense of your text whilst it is still fresh.
  • Try to compile a rough draft of your minutes (for your eyes only) within 24 hours of the meeting to ensure that you retain as much information as possible.
  • Make sure what you present is a true representation of events at the meeting as they will need to be agreed by the attendees / Chair.

Thank you,

Danielle Joyce

Diversifying your Audiences

I recently travelled up to Manchester Central Library to attend the equality and diversity training provided by The National Archives. The aim of the day was for delegates to have a further understanding of how we can promote equality and diversity in the workplace for both staff and users.  We started with the basic guidelines of the Equality Act 2010 and the nine characteristics that it protects. Many of us were unaware of the full extent of the Act and the different ways in which harassment was measured and understood. The day was a real eye opener to not only the scope of the Act but also the barriers we face in our workplaces in achieving greater diversity.

Manchester Central Library

Manchester Central Library

Manchester Central Library was closed for refurbishment in 2010 and reopened in March 2014 with an impressive new interior. Particularly striking was the central focus on archives as you enter the building. Rather than being hidden away, the Archives+ department took centre stage on the ground floor of the library. The interactive displays made archival material more accessible to people of all ages and told the story of the local area from different perspectives. It was refreshing to see such a large space dedicated to the promotion of archives as well as many partners, such as; BFI Mediatheque, University of Manchester and Manchester Metropolitan University, working together cohesively.

An example of an interactive which tells the story from the archives

Touch screen displays showing the diverse communities within Manchester

The training day consisted of workshops as well as presentations and each delegate was asked to consider how their own workplace can promote equality and diversity to a greater extent. A common issue that arose was that equality is normally discussed at a recruitment and HR level but not filtered down on a smaller departmental scale. As the job role of an archivist is expanding, professionals need to be increasingly aware of their audiences and the legal framework in which they are expected to operate. It is important to recognise that equality and diversity should be implemented in all aspects of work practices and not be a separate entity that is only considered on a higher administrative level.

Brainstorming ideas on how to promote E&D

Brainstorming ideas on how to promote E&D

Another interesting point of discussion was on the perceptions and definitions of diversity. The Equality Act 2010 encompasses so much more than just race and disability and it is important to have an understanding of all areas of the Act in order to truly determine what diversity means. After all, you cannot define a group of human beings simply by their appearance and you certainly should not judge them on what you see.

The centrepiece of the the Archives+ area

The centrepiece of the the Archives+ area

Manchester Central Library was the ideal venue for this training day as the diverse collection on display provided a more representative memory of Manchester rather than showcasing the experiences of a few. Kevin Bolton, Archives+ manager, discussed the changes in his collecting policies to fill the missing gaps within the community in order to achieve this broader and more realistic understanding of life in Manchester. Despite the Research Collections not being a local or family history collection, the issue of being representative and diverse still applies in terms of making our collection as accessible to our students as possible.

Thanks for reading.

Danielle Joyce

Heritage Management

We are coming to the end of our second module of the postgraduate certificate course. The module is called Heritage Management and centralises around the issues facing future heritage leaders. Our course tutors are Dr Heather Barrett, Principal Lecturer of Geography, Archaeology and Heritage Studies, and Dr John Paddock, the curator of The Mercian Regiment Museum (Worcestershire). This combination of theoretical discussions and practical experience has helped to enhance our understanding of what it means to work in the heritage sector.

Through this module we are asked to evaluate the contemporary debates surrounding heritage including its authenticity and purpose. As future heritage leaders we need to be aware of the processes that are influencing change and understand how these shape the role and actions of heritage management professionals. By understanding these changes and the skills needed to manage these, we can better define the requirements needed to be a successful leader in the sector. From both this and the previous module, I have learned that in order to look to the future you need an understanding of the current environment that you are in. Sector awareness will enhance your knowledge of potential threats or areas of growth. We are learning about the theoretical discourse surrounding the issue of heritage but also the legislation and policies put in place to protect sites and collections across the United Kingdom.

Photo Courtesy of Blake Sporne

Historical Re-enactment of the Battle of Worcester – Photo Courtesy of Blake Sporne

The main theme of this module is that of authenticity. How authentic can heritage be if it is taken out of its original context? Or how authentic can an object be if it has been restored? To what extent is an historical re-enactment authentic? These are all questions which have arisen throughout the course of this module. As students of Leadership and Management (Heritage) we are expected to be aware of the issue of authenticity and how it can affect our visitor experience. This topic is not only important for our module but also for our career progression in the sector.

Thanks for reading,

Danielle Joyce


Learning through observing

A few weeks ago, Sarah and I attended an Arts Council Conference at the Shrewsbury Museum and Art Gallery. This conference enabled the team to showcase the new exhibition space and their approaches to historical interpretation. Shrewsbury Museum integrated aspects of art and historical objects throughout their premises. Their intention was to be inclusive and incorporate artwork to enhance the understanding of the past and vice versa. This is evident also through their inclusion of artists as curators for historical exhibits such as the Geology display. The aim here was to focus attention directly on to the object.

From this conference I learned that you should maximise the space you have available. Shrewsbury had limited wall space for their Stuart collection so used the adjoining corridor to showcase what they held. This meant that less objects were in stores and the public had a greater variety of things to see. The space was small but it was used effectively and definitely had a greater impact than leaving a blank wall.


I was taught that you should show that you do not have all the answers. Be honest and open up to interpretation; let your visitors make their own decision. This shows that you are not patronising and you are not assuming that every historical slant you give is correct. An example of doing this is to include historic debate within your signage; Shrewsbury chose to do so with their Roman mirror. Behind the object were two opposing images of how the mirror was held, one showed a slave holding the mirror and another showed the owner twisting her arm to hold it herself. Neither image was said to be right, the visitor was able to determine what they thought for themselves.

The staff at Shrewsbury were responsive to customer feedback. They would listen to what their market had to say and then act on what the majority thought would benefit the museum. This could mean a few setbacks but it shows that you are willing to continually develop yourself. The focus is on the people and what the people want, not just the objects anymore. Listening to and acting on feedback shows that you really do consider the needs of those who visit your museum. You need to be willing to change in order to survive.

Thanks for reading and have a Merry Christmas!


Danielle Joyce